About Meredith

Sylva (Die Csárdásfürstin)
Seen and Heard International

"Meredith Hoffmann-Thomson displayed the grandeur of the artist as well as the more vulnerable woman.
Her voice was soaring with the full orchestra and movingly subtle in more intimate passages, warm, rich and well positioned."

Fata Morgana (Die Liebe zu den drei Orangen)
Nordsee Zeitung

"Fata Morgana [...] is given a strong presence by newly hired soprano, Meredith Hoffmann-Thomson, with sparkling timbre and dramatic confidence."

Professor Prentice (Anthropocene)
Salzburger Nachrichten

"Meredith Hoffmann-Thomson is a standout as dramatically timbered Scientist Prentice."

Agathe (Der Freischütz)
Kronenzeitung

"Meredith Hoffmann-Thomson as Agathe managed to create an intimate biedermeier atmosphere with her singing."

Ariadne auf Naxos (Ariadne)
St. Louis Dispatch

"Meredith Hoffmann-Thomson has the goods ... a big, soaring voice ... fine acting skills, and she looked beautiful"

Tosca (Tosca)
Oberbayerisches Volksblatt

"her dramatic voice rich in overtones and sweet in timbre"

Wozzeck (Marie)
drehpunktkultur.at

"... particularly moving ..."

Verdi Requiem
Augsburger Allgemeine

"Meredith Hoffmann-Thomson has an unbelievable vocal volume and can modulate her voice fabulously from piano to forte ... a stroke of luck for this performance."

Résumé & Repertoire

Schedule

2025

• September 13th: PREMIERE
  Fata Morgana in Die Liebe zu den drei Orangen
  Stadttheater Bremerhaven
• November 8th: PREMIERE
  Sylvana Varescu in Die Csárdásfürstin
  Stadttheater Bremerhaven
• November 30th:
  Soloist in Adventskonzert
  Stadttheater Bremerhaven
• December 5th:
  Soloist in Adventskonzert
  Stadttheater Bremerhaven
• December 18th:
  Soloist in Adventskonzert
  Stadttheater Bremerhaven
• December 27th:
  Soloist in Adventskonzert
  Stadttheater Bremerhaven

2026

• May 2nd: PREMIERE
  Marietta in Die tote Stadt
  Stadttheater Bremerhaven
• May 21st:
  Soloist in Operettengala
  Stadttheater Bremerhaven

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