The Latest
Following her acclaimed jump-in performances as Marietta in the slovak premiere of Korngold's Die tote Stadt, Meredith returns to Bratislava in January 2027 to sing the title role in Verdi’s Aida with the Slovak National Theater.
Reviews
← swipe to browse →
Marietta (Die tote Stadt)
Opera Slovakia
"Meredith Hoffmann-Thomson [...] handled the highly demanding double role of Marietta/Marie with technical, tonal, and stylistic mastery. [...] Her phrasing was exemplary."
Marietta (Die tote Stadt)
Nordsee Zeitung
"What [she] brings to the role — radiant brilliance, captivating cantilenas, masterful shifts in register, glamour, and resolute energy — is breathtaking"
Marietta (Die tote Stadt)
Deutschlandfunk Kultur & Neue Musikzeitung
"Überragend (Outstanding)"
Marietta (Die tote Stadt)
Weser Kurier
"Meredith Hoffmann-Thomson delivered a captivating portrayal of Marietta. Her rich and beautiful soprano is characterized by its rich color and blossoming high notes. She convincingly conveyed Marietta's lascivious and life-affirming character"
Sylva (Die Csárdásfürstin)
Seen and Heard International
"Meredith Hoffmann-Thomson displayed the grandeur of the
artist as well as the more vulnerable woman.
Her voice was soaring with the full orchestra and movingly subtle in
more intimate passages, warm, rich and well positioned."
Fata Morgana (Die Liebe zu den drei Orangen)
Nordsee Zeitung
"Fata Morgana [...] is given a strong presence by [...] Meredith Hoffmann-Thomson with sparkling timbre and dramatic confidence."
Professor Prentice (Anthropocene)
Salzburger Nachrichten
"Meredith Hoffmann-Thomson is a standout as dramatically timbered Scientist Prentice."
Ariadne auf Naxos (Ariadne)
St. Louis Dispatch
"Meredith Hoffmann-Thomson has the goods ... a big, soaring voice ... fine acting skills, and she looked beautiful"
Tosca (Tosca)
Oberbayerisches Volksblatt
"her dramatic voice rich in overtones and sweet in timbre"
Wozzeck (Marie)
drehpunktkultur.at
"... particularly moving ..."
Verdi Requiem
Augsburger Allgemeine
"Meredith Hoffmann-Thomson has an unbelievable vocal volume and can modulate her voice fabulously from piano to forte ... a stroke of luck for this performance."
Résumé & Repertoire
Schedule
-
January 8th:
Aida in Aida Slovak national theater, Bratislava -
January 9th:
Aida in Aida Slovak national theater, Bratislava -
May 2nd: PREMIERE
Marietta in Die tote Stadt Stadttheater Bremerhaven -
May 10th:
Sylva Varescu in Die Csárdásfürstin Stadttheater Bremerhaven -
May 21st:
Soloist in Operettengala Stadttheater Bremerhaven -
June 18th: PREMIERE
Marietta in Die tote Stadt (concert) Slovak national theater, Bratislava -
June 20th:
Marietta in Die tote Stadt (concert) Slovak national theater, Bratislava
2027
2026
Photos
Headshots
Performances
Videos
Contact
